Before becoming the soundtrack to Dr. No in 1962 and one of the most recognizable pieces of music in film history, the melody originated from Bad Sign, Good Sign, a song composed by Monty Norman for a proposed musical based on A House for Mr. Biswas. The original version featured a slower tempo and influences from Indian music, making it sound very different from the version audiences know today.
After being adapted for the first James Bond film, the theme took on a new identity and became inseparable from 007. More than 60 years later, those opening notes remain one of the most famous musical signatures ever created.
In the quiet aftermath of an unspoken tragedy, a man must confront his reflection and rehearse the fiction of being whole.
Maybe this is what vibe directing feels like, where I only start with a handful of ideas, but @openart_ai Director is able to take them so much further. And since this 'can' connect to my other work, having that prior context helps this piece serve as a companion that creates more room for open interpretation.
I just wanna say thank you to @openart_ai because I got early access to OpenArt Director.
After spending some time with it, I can honestly say the results have been incredible.
What impressed me the most is how effortless the entire creative process feels. I simply direct the vision, while OpenArt Director handles the execution.
From the final script, character sheets, and storyboards, all the way to the final video generation, everything flows together seamlessly.
Instead of getting stuck writing complicated prompts, I found myself focusing on the story, the characters, and the emotions I wanted to bring to life.
The visuals speak for themselves. Every frame feels cinematic, polished, and genuinely enjoyable to watch.
This feels less like using an AI tool and more like collaborating with a creative production team.
Excited to keep exploring what's possible with OpenArt Director.
Huge thanks to the OpenArt team for this opportunity.
Just a small glimpse into my day. Some moments make it into the video, many stay behind the scenes 🙌🏻
P.S. This was filmed last week, before my haircut ✂️ I still have a few photos and videos with longer hair, so don’t be surprised if they show up from time to time 😂
On The Late Show with Stephen Colbert, Hayley Williams and Jeff Tweedy joined forces for an unexpected cover of Unknown Mortal Orchestra’s Ffunny Ffrends.
Backed by Williams’ band, the performance transformed the 2011 indie track into something uniquely their own, blending Tweedy’s understated style with Hayley’s expressive vocals. Performed as a tribute to the show’s many “funny friends,” the collaboration felt spontaneous, playful, and surprisingly natural.
OpenArt‘s Director🎬
Started with one reference image. Described each shot in plain language. Director generated this 15-second clip scene by scene — no stitching, just chat.
Honestly, this feels like vibe directing to me. You’re not prompting. You‘re describing, reacting, and shaping until it feels right.
Go play with @openart_ai Director and see what you come up with❄️🪄
I tested the new Director feature from @openart_ai to create a movie trailer starting with nothing more than a simple idea.
Instead of generating a single clip from a prompt, Director handles much of the filmmaking process automatically. You provide the concept, and it creates the characters, environment sheets, storyboards, video scenes, audio, and even assembles everything into a complete trailer.
It feels much closer to a real film production workflow, where the focus shifts from prompting individual shots to directing the overall creative vision.
There is still room for greater creative control and refinement, but this is a fascinating glimpse into where AI filmmaking is heading.
Before They Don’t Care About Us became one of Michael Jackson’s most powerful songs, it started with a simple rhythm and an idea.
This rare moment shows Michael developing the song in real time, building the percussion, melody, and energy that would eventually become one of the most politically charged records of his career. It’s a reminder that behind the performances, the videos, and the fame was a musician constantly creating, experimenting, and shaping ideas into global anthems.
Released in 2003 as the final single from Meteora, Numb became one of Linkin Park’s most recognizable and impactful songs.
Built around its iconic piano melody and Chester Bennington’s emotionally charged vocals, the track explores the pressure of trying to meet other people’s expectations while losing sight of your own identity. That honesty helped the song connect with millions of listeners and turn it into one of the defining rock anthems of the 2000s.
Above the noise lies a place they only whisper about. A city that never sleeps. One breath that changes everything. 🌌 Blue Horizon — a short flight into stillness.
I got exclusive early access to OpenArt Director and here's what I made 🎥 #openartdirector
Proof that you can clean an entire house and mentally prepare for company in exactly 45 seconds flat. Don’t look too closely behind the curtains... or our frozen faces. 😅
Who else has completely mastered the "frantic pre-guest scramble"? 👇
During the Funhouse Tour, P!nk transformed Please Don’t Leave Me from a catchy pop hit into one of the most memorable performances of the entire show.
Rather than perform the song straight, she embraced its playful, obsessive lyrics and built a theatrical character around it. Combined with the tour’s circus-inspired staging, choreography, and larger-than-life visuals, the performance felt more like a musical scene than a traditional concert number.
